Story launched in Feb 2025 with a $4.3 b FDV on the promise of programmable IP. Core infrastructure is complete; the market now demands evidence of real users, assets, and fees.
A purpose built L1 for IP, robust legal tooling (PIL, IP Portal), defi rails, launchpads, and an ecosystem fund are in place, yet on‑chain activity and liquidity remain modest.
Aria’s $APL token must meet yield guidance and spur follow on IPRWA launches (music tranche 2, sports, entertainment) to validate Story’s IPRWA thesis.
Four Metrics for Chapter2: 1) sustained growth in creative transactions and wallets, 2) diversified TIL (Total IP Licensed) via at least three new IPRWA categories, 3) reliable royalty distributions across tokens, and 4) live partner integrations generating commercial transactions.
Story launched in Feb 2025 as an purpose built L1 for IP, raising its FDV above $4.3b on the promise of programmable, on-chain IP. The market accepted low usage while the team built core infrastructure and tooling, but that phase is finished. Story now has to prove it can attract real users, real IP, real creators, and real fees. The purpose of this memo is to review what Story has built, measure early signs of traction, and outline the metrics that must improve if the project is to justify its valuation.
Story’s first year focused on shipping core infrastructure. The team delivered a custom L1 optimized for IP licensing, complete with an IP native smart contract framework. Hundreds of thousands of IP tokens (ranging from individual artworks to commercial music rights) have been registered on-chain. This confirms that the protocol can store and reference complex IP at scale.
Source: https://www.storyscan.io/stats
Some other notable accomplishments include (See ‘Storybook 2025’ for details):
Flagship tokenisations. Aria Protocol fractionalised partial song rights from Justin Bieber, BLACKPINK, BTS, Selena Gomez, and others, while Ablo brought fashion brands such as Crocs and Adidas on-chain. Ownership is backed by signed contracts and recorded in Story’s registry, showing that the legal and technical pipelines work end-to-end. More on this on section 3.
Basic Defi rails. Multiple DEXes including StoryHunt and PiperX support trading for both native tokens and IP backed assets. Verio offers liquid staking, and cross-chain bridges via deBridge, Stargate, and Relay move external liquidity onto the network.
Launchpads and remix platforms. Blockbook, Mycelium, Unleash, ip.world, Mahojin and additional services let creators issue new IP tokens or derivatives without bespoke engineering. They represent the discovery and distribution layer for Story’s IP inventory.
Legal tooling. Story shipped an IP Portal and a free, standardised Programmable IP License. Creators can register work, select licence terms, and publish them on-chain in minutes. This bridges blockchain execution with real-world contracts and removes the legal ambiguity that has limited earlier IP experiments.
Agent TCP/IP framework. A prototype framework lets autonomous AI agents license and pay for IP without human intervention, positioning Story for machine-to-machine commerce if that market emerges.
Ecosystem incentives and Worldcoin partnership. A $10m ecosystem fund with OKX Ventures finances early projects, and an integration with Worldcoin’s World ID aims to authenticate human creators in an AI-heavy content landscape.
Story’s “Chapter 2” shifts focus from building infrastructure to filling it with valuable assets. Management argues that AI now needs licensed, high quality data more than raw compute. Conventional blockchains can show ownership, but they cannot encode dynamic license terms or track downstream usage. Story claims its protocol is built for precisely that: enforceable on-chain licenses, automatic provenance tracking, and realtime royalty splits.
Chapter 2 targets three areas:
A data layer for physical world AI models. Story intends to coordinate and license difficult to collect sensor data (dashcam video, LiDAR scans, and similar feeds) through DePIN style networks. Suppliers would upload data, attach license terms, and receive automatic payouts when AI developers use that data for model training. Early pilot datasets are reportedly live with enterprise partners, though volumes remain undisclosed.
Broader IP classes on-chain beyond music and fashion. Upcoming categories include sports highlights, scientific datasets, and entertainment franchises. Each asset would be wrapped as an “IPRWA” token, giving investors fractional exposure and allowing IP owners to raise liquidity.
Brands monetizing UGC. If a fan video incorporating a trademark goes viral, the brand could issue a Story-based licence retroactively and share in the revenue rather than pursue takedowns.
The Chapter 2 roadmap is ambitious and logically positions Story between AI demand for clean data and the supply of untapped IP. Execution risk exists. Story must attract real data providers, persuade rights owners to tokenise assets, and integrate with brands’ existing legal workflows.
Over the next year we will track: 1) volume and value of licensed datasets, 2) no. of IPRWA launches and their market caps, and 3) examples of brands successfully converting viral fan content into licensed revenue via Story (See the ‘Reframing How We Evaluate Story’ article for detailed Story native KPIs).
Aria Protocol is the clearest test of Story’s IPfi / RWA thesis. In Feb 2025 Aria spent about $10.95 million to acquire partial rights to 48 songs spread across 8 catalogues. The tracks include “Peaches” by Justin Bieber, “Flower” by JISOO, “Prisoner” by Miley Cyrus ft. Dua Lipa, “Yeah Yeah Yeah” by BLACKPINK, and other recent hits. On June 2025 Aria minted $APL representing pro-rata ownership of that portfolio. Total supply is 10.95m tokens.
Source: https://app.ariaprotocol.xyz/
$APL is classified as an IPRWA. Holders can stake their tokens for $stAPL and receive periodic royalty distributions funded by buybacks. Expected annual return is 5~8%, based on historical income from digital streaming, synchronisation, mechanical, and public-performance rights. Revenue composition is 89% publishing copyrights and 11% producer income. Geographically, 53% of royalty flow comes from APAC, 31% from North America, 14% from EMEA, and 2% from LATAM. Genre exposure is roughly balanced: 54% pop and 46% K-pop.
Early market response is modest. $APL currently trades at around $10m market cap and daily liquidity remaining thin. Total tx count is around 3k so far, indicating that adoption is so far limited to a small group of investors.
Near-term proof points are clear. Aria’s first royalty distribution is due in Q4 2025; timely payment within the projected yield band will either validate or undermine confidence in IP backed tokens. Additional launches such as a second music tranche, a sports-highlight fund, or an entertainment IP drop tied to David S. Goyer’s Emergence project will test whether new asset classes can broaden the buyer base.
Over the next 6~12 months the critical metrics are 1) royalty dollars delivered, 2) active traders and wallets on Story DEXs, 3) number and size of new IP token offerings, and 4) liquidity across all IP tokens.
As a supporter, I remain optimistic about Story’s long term vision. Someone will crack the nut of on-chain IP rights, because the problem is very real. Story is one of the best positioned projects to do it, given their head start and war chest. But the honeymoon phase is over. The time to build was Chapter 1; Chapter 2 is the time to ship tangible, user adoption.
Infrastructure, legal tooling, and capital are in place, so the bottleneck is no longer technology but demand. Over the next year Story will need to report consistent growth in 4 key areas:
On-chain activity must rise. Daily registrations, license grants, and remixes should climb. Current volumes are too small relative to a multi-billion dollar valuation. Management should publish monthly dashboards so investors can verify progress.
Expansion of TIL (Total IP Licensed) via diverse IP launches. At least three additional asset classes (sports footage, scientific datasets, and entertainment franchises) should issue IPRWAs, each supported by verifiable contracts and on-chain royalty flows. Each launch ought to bring a distinct user cohort rather than recycling the existing Story community.
Story must deliver cash to both creators and token holders. Quarterly royalty distributions for $APL need to arrive within guidance; reliable cash flow will draw additional rights holders. Similar payouts should follow for any new IP tokens. These transfers will validate the royalty automation thesis and build trust that Story can convert IP into predictable income streams.
Live partner integrations that generate creative transactions. The Worldcoin proof of personhood tool should appear in the IP Portal with measurable uptake, and at least one enterprise data provider should confirm that it licenses datasets through Story under enforceable on-chain terms.
